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September 2026

  1. What I hear while I play

    How I shape the drums in my headphones, where the song and click enter the mix, and what stays separate in the recorded files.

    GearSessions

  2. What changed in my studio this fall

    Why I moved from software monitoring to a Roland V71 and analog processors, and what changed about sitting down to play.

    GearSessions

August 2026

  1. A two-hour remote drum session

    I followed the artist’s programmed drum part from printed charts, then added my own touch as we worked together remotely.

    Sessions

June 2026

  1. Preparing a song for a remote session

    A rough mix is enough to get started. Here are the files, references, tempo information, and notes that help me find the right drum part for your song.

    Sessions

March 2026

  1. Comping a hybrid drum performance

    How I keep drum audio and MIDI together when comping in Pro Tools, check the joins, and leave room to change sounds after choosing the performance.

    Sessions

January 2026

  1. Why I record a hybrid drum kit

    I record in a townhome basement with shared walls. Real cymbals, mesh heads, and MIDI let me work around the room and get the drum sounds I want.

    SessionsGear